© 2007 Lars Moeller © 2007 Lars Moeller
© 2009 Jack Rendulich © 2009 Jack Rendulich

Location: Denver, Colorado

Dates: July 12-17, 2017

Deposit: $395 / Tuition: $1,995

Become a Champion

Become a champion and attend the most popular sports photography workshop in America. You’ll be accompanied by an elite team of instructors that include photographers and editors from The Associated Press, Sports Illustrated, ESPN The Mag, and more. Our large faculty allows students the opportunity to learn all sides of sports photography,  for example, a student might attend a “What an Editor’s Looking For” class in the morning, go on-location and shoot sports with an expert shooter in the afternoon, and learn how to polish their editing process with a tech expert in the evening. 

In this class, you’ll have the opportunity to shoot a multitude of sports while learning sports photography shooting techniques, remote camera setups, creative lighting setups, the business of freelance sports photography, and more. Our Sports Workshop is for shooters of all ages and skill levels, from beginners to seasoned veterans.

The workshop hotel and classroom are located at the Springhill Suites in Denver.

Visit the link HERE to receive the discounted group rate at the Springhill Suites.

What you’ll learn:

Settings/Techniques for Shooting Sports
How to Setup/Operate Remote Cameras
Arena Lighting and Lighting for Sports
Sports/Action Portrait Setup/Shoot
What Sports Editors are Looking For
How to Break into Sports Photography
The Business of Freelance Sports Photography

39
Years Running
16
Expert Instructors on Faculty
3:1
Student:Instructor Ratio

2016 WORKSHOP INSTRUCTORS

Recap Last Year’s Workshop with

The 2016 Sports Workshop in Pictures

| VIEW HERE

TESTIMONIALS

Absolutely the best workshop I have ever attended. Instructors hands-on teaching in the field is priceless! Critiques are a difference-maker, teaching and seeing what makes a good picture has made all the difference. I will be a better photographer because of this course.

Greg Collier

My second time taking this workshop. I highly recommend taking (the sports) workshop more than once; I have learned a tremendous amount. Thank you for the outstanding workshop.

Wendy Collison

One thing that occurred to me is that this is really the first time I have been immersed in a surrounding of all sports photography. It’s made me realize what is possible besides my little corner of the world. It opened my eyes to possibilities.

Cyndi Chambers

SCHEDULE

SPORTS PHOTOGRAPHY WORKSHOP SCHEDULE

To view a PDF of the 2016 workshop schedulePLEASE CLICK HERE.
Keep in mind, we are constantly updating to make every year better.

SPORTS DAY 1

  • Intro to Digital Photography
  • Lighting with Strobes
  • Photoshop/Lightroom Education
  • Manufacturers’ Trade Rooms Open
  • Welcome Reception

SPORTS DAY 2

  • Class: Techniques in Shooting Outdoors
  • Class: Advanced Photoshop/Lightroom
  • Class: PocketWizard, HyperSync, Metering
  • Portfolio Reviews
  • On-Location: Tennis
  • On-Locations: Motocross
  • Class: Introduction to Lighting
  • Night Presentation
  • Photographers’ Social

SPORTS DAY 3

  • Image Critiques
  • Class: Marketing Yourself in a Freelance World 
  • Class: Getting an Editor’s Attention
  • Class: Digital Workflow
  • On-Location: Basketball, Skate Park, Velodrome, Horse Racing
  • Class: Speedlights and Studio Strobes
  • Night Presentation

SPORTS DAY 4

  • Image Critiques
  • Class: Remote Camera Setups
  • Class: Multimedia Storytelling
  • On-Location: Skateboarding, Velodrome, Horse Racing
  • Class: Lighting the Portrait
  • Class: Lacrosse with Strobes
  • Night Presentation

SPORTS DAY 5

  • Image Critiques
  • Morning Presentation
  • Instructor Roundtable Discussion
  • Class: Lacrosse Portraits with Strobes
  • Night Presentation
  • Class: Nighttime Light Painting Athletes

SPORTS DAY 6

  • Image Critiques
  • Class: From Phone Call to Final Image
  • Class: Social Media
  • Instructional Roundtable Discussion
  • Final Photographers’ Social
  • Final Dinner presented by Nikon

10% Sports Workshop Discount for Workshop Alumni, Photo Educators,
Students, and NPPA, NPS, ASMP and NANPA members.

One of the most popular photography workshops in America, the Sports Photography Workshop brings together a faculty of top international sports photographers and editors and combines it with the best instruction and the best opportunity to shoot sports action. This workshop allows attendants to work with and learn from those who are directly tied to their career development and advancement opportunities, as well as working with lighting and other equipment to learn how to elevate their photography.

Workshop tuition includes all workshop instruction and events, access to Nikon equipment for use during the workshop, and some meals.

Workshop tuition does not include travel before and after workshop, transportation to workshop events, lodging during the workshop, and most meals. For transportation and lodging info, visit the next tabs.

Springhill Suites – Downtown Denver

1190 Auraria Pkwy
Denver, CO 80204
(303) 705-7300

  • This will be the hotel and headquarters for the workshop. This includes classroom instruction, receptions, and Nikon & vendor rooms.
  • Call and mention “Sports Photography Workshop” for discounted group rate.
  • Denver International Airport: DIA is 30-40 minutes away from downtown Denver. Shuttles, taxi cabs and rental cars are readily available to get from the airport to the downtown area. More on whether or not you need a rental car in the transportation section…
  • A rental car is encouraged, but not needed. Many of the sporting events take place in the general vicinity of the workshop headquarters, but most are a drive away. We work with attendants to arrange carpooling and no one goes without a ride to an event.
  • The only foreseen downfall without your own car is you may have to conform the events that you want to go to with the events that your ride wants to go to. For example, if you want baseball, then swimming, then velodrome — that may be tougher when joining someone else.
  • Nikon will have digital cameras to loan on a 24-hour basis as well as a variety of lenses and the manufacturers room will also be stocked with a wide variety of gear for demo and sale at special discount.
  • We ask that you bring all of the equipment with which you normally shoot, especially Nikon users, as you will be able to use the large consignment of Nikon cameras and lenses in conjunction with your own. Photographers that currently use other brands of cameras are free to use your own equipment. You’ll need to provide your own laptop or other workstation to download and edit your images, though we can assist you with a variety of demo software available.
  • Make sure to pack clothing options for all days. They are long days so you may change at least once a day so pack extra for that. Colorado summers will be hot, but not scorching, so bring shorts, sunscreen/hat, and comfortable shoes (!!) to work in the heat.
  • Also, bring a rain jacket and some cold weather gear in case of storms. You will also want to bring a few more formal options (if you desire) for the welcome and closing receptions.
  • Colorado July weather can range from 60-90 degrees — most of the time in the middle. The most important item is sunscreen as it will be sunny most days and you’re closer to the sun!
  • Also, we have the occasional rainstorm — it won’t last all day — but be prepared for a random change in weather. Tornadoes and lightning are seldom, but can happen. For the most part though, our Sports Workshop has had near perfect weather for all sports scenarios.

ADDITIONAL ONLINE COURSES

Advance your Sports Photography even further.

Summit Online is our online photography education platform that offers a variety of high quality video courses taught by experts.

Inside an Editor’s Mind with Brad Smith

Prepare for the Sports Workshop by discovering what an editor at a major publication is looking for in sports photography. Our Summit Online photography course, Inside an Editor’s Mind with Brad Smith, takes you through an Olympic Training Center aquatic arena and assesses the location to find the most optimal locations for photographers. Brad, the former Director of Photography at Sports Illustrated, walks you behind closed doors to show you the best vantage points to capture from and how to get the best photograph while you’re there. Inside an Editor’s Mind with Brad Smith includes the following lessons:

  • Lesson One: Mock Assignment
  • Lesson Two: Receiving the Edit
  • Lesson Three: Editing Down Selects
  • Lesson Four: Translating to the Magazine

Working with Remotes with John McDonough

Be ahead of the game at the Sports Workshop by already knowing the in’s and out’s of setting up remote cameras. Our Summit Online photography course, Working with Remotes with John McDonough, goes in depth on the setup, safety, and execution of using remote cameras to capture a live sports event. John shows you how he would setup his remotes to capture a basketball game at the official site of the Colorado College Tigers basketball team. Working with Remotes with John McDonough includes the following lessons:

  • Lesson One: Gear Overview
  • Lesson Two: How to setup a Remote
  • Lesson Three: Remote in-action Part I
  • Lesson Four: Remote in-action Part II
  • Lesson Five: Post Editing

Portrait Lighting with Joey Terrill

Want to show up at the Sports Workshop and already have a working knowledge of how to effectively light portraits of athletes? Our Summit Online photography course, Portrait Lighting with Joey Terrill, takes you into the Garden of the Gods in Colorado Springs, CO to photograph a variety of portrait shoots with a USA Olympic Fencer. Not only will the course introduce you to the extensive principles of lighting portraits, it will also introduce you to working with a high-caliber athlete and how to accurately pose your subject. Portrait Lighting with Joey Terrill includes the following lessons:

  • Lesson One: Setting Up for the Shoot
  • Lesson Two: Working with Models
  • Lesson Three: Portrait Shoot In-Action – Part 1
  • Lesson Four: Portrait Shoot In-Action – Part 2
  • Lesson Five: Computer Editing

GALLERY

© 2015 Philippe Bouchard

© 2015 Philippe Bouchard

p-nature2

© 2012 Chris Carruth

© Kyle Aiton

© 2016 Kyle Aiton

© 2016 Melissa Usrey

© 2016 Melissa Usrey

© 2016 Mary D'Agostino

© 2016 Mary D’Agostino

© 2016 Melissa Usrey

© 2016 Melissa Usrey

© 2016 Kristen Tucker

© 2016 Kristen Tucker

© 2016 Kristen Tucker

© 2016 Kristen Tucker

© 2016 Carl Henry

© 2016 Carl Henry

© 2016 Mark Brown

© 2016 Mark Brown

© 2016 Todd Lester

© 2016 Todd Lester

© 2015 Matthew Eaton

© 2015 Matthew Eaton

© 2013 Howard Arndt

© 2013 Howard Arndt

© 2013 Howard Arndt

© 2013 Howard Arndt

© 2013 Howard Arndt

© 2013 Howard Arndt

© Drew Castellaw

© 2016 Drew Castellaw

© 2016 Phil Westin

© 2016 Phil Westin

© 2016 Jerry Usrey

© 2016 Jerry Usrey

© 2016 Grant Halverson

© 2016 Grant Halverson

© 2016 Natalie Dustman

© 2016 Natalie Dustman

© 2016 Mark Brown

© 2016 Mark Brown

© 2016 Susan Miller

© 2016 Susan Miller

© 2016 Jay Hamlin

© 2016 Jay Hamlin

© Jennifer Leigh Warner

© 2016 Jennifer Leigh Warner

© Andrew Chad

© 2016 Andrew Chad

© 2009 Jack Rendulich

© 2009 Jack Rendulich

© 2007 Rick Allen

© 2007 Rick Allen

© 2016 Renee Bourcier

© 2016 Renee Bourcier

© 2007 Cal Mckitrick

© 2007 Cal Mckitrick

© Isaac Spotts

© 2016 Isaac Spotts

© 2013 Nancy Crase

© 2013 Nancy Crase

© 2016 Carl Henry

© 2016 Carl Henry

© 2013 Mary D'Agostino

© 2013 Mary D’Agostino

2010 Earl Richardson

© 2010 Earl Richardson

© 2015 Philippe Bouchard

© 2015 Philippe Bouchard

© 2015 Emilie Milcarek

© 2015 Emilie Milcarek

Photo by Michael Forsberg

© Michael Forsberg

© 2015 Bruce McCallum

© 2015 Bruce McCallum

© 2015 Tobias Butterfield

© 2015 Tobias Butterfield

© 2015 Tobias Butterfield

© 2015 Tobias Butterfield

© 2015 Sarah Desjardins

© 2015 Sarah Desjardins

Sandhill cranes, Platte River valley, Nebraska. © Michael Forserg

© Michael Forsberg

Platte River, Nebraska.
Migrating Sandhill cranes on river roost at first light. © Michael Forserg

© Michael Forsberg

Platte River valley, Nebraska

Migrating sandhill cranes standing in field of corn stubble day after large blizzard. © Michael Forserg

© Michael Forsberg

Photo by Michael Forsberg

© Michael Forsberg

Photo by Kai Casey

© 2014 Kai Casey

light2

© 2014 Dane Cronin

p-sports7

© 2013 Keith Allen

p-alaska3

© 2013 Andy Dyson

p-alaska1

© 2013 Foto’s by Field

p-alaska5

River Crossing

p-alaska7

© 2013 Andy Dyson

© Kyle Aiton

© 2016 Kyle Aiton

© Paolo Sartori

© 2016 Paolo Sartori

p-adv7

© 2012 Blair Lockhart

p-adv4

© 2010 Deborah Cull

p-adv6

© 2012 Alex Gauthier

© Cate Brown

© 2016 Cate Brown

© 2016 Mark Brown

© 2016 Mark Brown

p-sports6

© 2013 Keith Allen

© 2016 Doug Stroud

© 2016 Doug Stroud

p-sports4

Olympic Boxing

p-sports3

© 2011 Andrew McLean Brown

p-alaska8

© 2013 Andy Dyson

p-alaska4

Dinner Time

p-alaska2

On The Lookout

p-alaska6

© 2013 Foto’s by Field

© 2015 Emilie Milcarek

© 2015 Emilie Milcarek

Corey Solotrovski_lighting

© 2015 Corey Solotrovski

© 2016 Mel Lyons

© 2016 Mel Lyons

p-sports1

© 2013 Michael Pierce

Kelsey Brunner_lighting

© 2015 Kelsey Brunner

light3

© 2014 Casey Hall

Custom Table Product Photography

© 2015 Matthew Eaton

p-nature8

© 2012 John Salisbury

p-nature7

© 2012 Marlee Ellen Miller

p-nature6

© 2012 Howard Arndt

© Madelyn Foster

© 2016 Madelyn Foster

© David Anderson

© 2016 David Anderson

p-nature1

© 2012 Keith Allen

light8

© 2014 Laura Humes

p-adv1

© 2012 Ben Dann

© Paolo Sartori

© 2016 Paolo Sartori